An intricately constructed world, full of space, scraps of sounds, conversations and rhythmic electronics.

The annual electronic music festival in Gorlice is one of the few events in Poland where you can listen to and watch artists presenting various types of synthesizer music. No wonder then that the original project of Tadeusz Łuczejko, the organizer of the review, hiding under the banner of Aquavoice, is a synthesis of various influences that marked their presence during the meetings he arranged.
Most of the recordings on "Electronic music" fall into the category of warm ambient. The individual compositions create bright streaks of synthesizer sounds, complemented by minimized percussion ticking and friendly voices of the surroundings. This is what happens in "Labirynth", "Dancing Snowflakes" and "Secret Life Of Birds". But that's not all - Łuczejko introduces to his music a number of elements diversifying the ambient formula. "Wet Tale" is a clear reference to the canons of the Berlin School set by Tangerine Dream, and "Blue" - a clear reference to the illustrative abilities of Vangelis. "Living In The City", in turn, brings distant echoes of industrial, devoid of its toxic ferocity, and "Glass" - sacred music devoid of metaphysical context. "Moth" and "Insomnia" sound like fragments of larger sci-fi soundtracks, and the crowning "Hypnosis" - neatly combines the deep emotions carried by the melody played on the acoustic guitar with the icy coldness emanating from the synthesizer background.
“Imię ciszy” ("Name of Silence") appears as an erudite review of its author's musical fascinations. However, there is no pretentiousness in this music - on the contrary, all the recordings captivate with their simplicity and readability. Their beauty is a testimony to the unique purity of the intentions of the artist who created them.
_{Paweł Gzyl}


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