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Karol Schwarz All Stars

Greatest Hits

24 | 2005

Krautrock - trance motoric, minimal music, dub pulse and the ubiquitous cheerful experiment.

Established in 1998, on the ruins of Tri-City formations, such as Superslicer B10 T.O. Underground, Karol Schwrz All Stars already has some underground achievements. This CD is a selection of self-published works, functioning only in the very local circulation of publishing houses. It can be considered an official debut. And also a post polo (?) manifesto... .
Some of the songs contained on the album could be heard at a wedding banquet in a restaurant, say, "Nowa Europa" in the late Gierek era. Perhaps others would work well during a romantic party. I suspect that the elderly patients of sanatoriums in Ciechocinek would also like it a lot. The problem is that Karol dresses these songs, exploding with ludic emotionality, in dub-post-rock-emotive robes (!), winking at the audience. This clash can result in an aesthetic catastrophe, kitsch over kitsch. And at the first contact, the music of the Tri-City residents seemed to me to be a cheap joke that brought images of at a deep, ruinous village.
With time, however, I began to discover the charm of dancing reggae; inscribed in the subtle, minimalist lo-fi structures of tender melodies; folk, and even those touching on sad country themes, based on ticking, seemingly primitive (as if drawn from an anarchic, amateur keyboard) rhythms; or dream motives carried by an ambient breeze. A controversial album. Some excerpts can be read as a funny (I don't know how intentional) commentary on mass-produced, blissful emoticons or intimate "bedroom music". Sometimes it sounds like a delightfully thin travesty of a la disco polo trash. There is a lot of mannerism, even a parody, which does not conflict with the charming mood. It is difficult to say how much calculated pose and irony and how much authenticity and honesty is in this music. And this ambiguity is a big asset ...
Łukasz Iwasiński FLUID


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