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Oblivion

36 | 2011

With some tracks the album is close to tribal and with others it brings to mind 4AD productions (especially from M. Brook's albums).
The hypnotic, cataractic landscape draws you in through its distorted mirror. Unexpected modulations and colors, or even rather sound flavors, make this music impossible to get bored with.
In "Borderline" it draws lines of long unseen and unheard horizons. In "Road without end" - hypnotic, cathartic, the landscape draws in through its distorted mirror. Unexpected modulations and colors, or even rather sound flavors, make this music impossible to get bored with.
The fuzzy, nostalgic "On air" brings to mind the productions of 4AD and sounds like a very slow cover of "Someday my prince will come". The title "Oblivion", which uses drone bass, wanders like slow fire. This ambient is sprinkled with a bit of noise: "Creepy shadows" - referring to Brian Eno - is dense with rustles and splashes. "Ascension", sunk like on the bottom of the ocean, is the deep end of the album.

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