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Salvezza
210 | 2021
A musical duo founded by Lodz-based musicians Witold Munnich (vocalist of the band X) and Grzegorz Fajngold (known from the bands 19 wiosen, Demolka, Już Nie Żyjesz and Procesor Plus). On the album they perform under the pseudonyms Zipolli and Donatelli. Donatelli and Zipolli invited Marquise Anna Kaz to play together. Her siren song resounds in several passages of Salvezza. The mysterious voice in the epilogue is that of Zipolli's mother. The sounds of the cello are the indefatigable Konstantino Usenkino - musical wanderer, author of many musical and literary works, ensemble bandmaster of the Super Girl Romantic Boys.
Despair and hope, joy, difficulties and gratitude for what is. How to face reality and what we set for ourselves, so as not to forget the heart and beauty. Salvezza is not just Baroque. It is an invitation to a musical and fantastic adventure.
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The idea of founding Salvezz came about thanks to the creation of Baroque Evenings at the DOM club in Lodz. The events were held periodically on every last Thursday of the month for two years. The initiator of the Baroque Evenings was Witek, who invited Gregory, an erudite baroque musician, to join him as a DJ. Introducing the audience to composers and baroque music did not satisfy the musical travelers... Their path lead further - they decided to create their own music. This is how Salvezza was created.
Zipolli wrote the libretto and arranged the vocal melody, Donatelli composed the music, recorded the harpsichord and organ parts and did the orchestration and arrangements of the songs. Songs were created spontaneously. Donatelli played, Zipolli wrote the libretto and sang the vocal parts created with baroque freestyles. Pathos mixed with the grayness of life and the grandeur of existence. The resulting sketch - a demo was waiting for the moment of realization.
In February of the year of our Lord 2021, Donatelli and Zipolli entered the studio to once again record the score and singing. They were recorded by a native of the Copernican city of Toruń, the tireless sound researcher Lukasso De Milesio. Through the snows of a winter that for years had eluded this part of the lands and winters of Salvezza's time, they spent three days and a few extra hours to forge a serpentine sound for the technical matrix record.
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