A 70-minute sonic journey about the poetics close to James Joyce's book experiments. A pioneer of electroacoustic music and sound poetry, called a late dadaist, he shocks, moves, scares and makes us laugh.

In the year of his 80th birthday, Eugeniusz Rudnik - "homo radiophonicus", a world-famous Polish phonopoet, an icon of contemporary art, created four extensive sound collages. Cutting and gluing kilometers of tape, he released a 70-minute dose of new electroacoustics at its best. The purest, pulsating Rudnik.

The album consists of four amazing sound visions: “ERdada” - a collection of sound waste, i.e. coughs, hoarseness, so-called drool and ordinary burps, cut from e.g. official speeches; “Dzięcielina pałała na taśmę stereo” - an experiment without any specific form, based on an upside down Mickiewicz text; “Memini Tui” - a musical tribute to the deceased friend Arne Nordheim; “Elektrowyzwoliny” - a story about the process of cutting the tape, spun with the multiplied sounds of Bolesław Błaszczyk's cello.

The visual setting of Łukasz Pawlak takes us to the heyday of professional radio tape. Longplay in a unique format (cardboard packaging in the size of a vinyl record cover) and a booklet filled with Rudnik's original comments have the worth of a work of art. This project marks the beginning of the Exclusive series of Requiem Records.